(415) 864-4440
All studio projects
Studio

Company Recording Studio Rebuild

A company-owned recording studio stripped back to the framing and rebuilt as a decoupled, treated room with fabric-wrapped walls, slat diffusion and flush-mounted speakers.

San Francisco, CA 2025

Before & after

BeforeSan Francisco recording studio during demolition with exposed ceiling framing, orange walls, ladders and crew at work
Before: the room opened up, ceiling framing exposed and every surface back to structure.
AfterCompleted recording studio control room with acoustic fabric track walls, slat diffusion and concealed lighting
After: a quiet, even-sounding room with the treatment built into the architecture.

Project photos

  • Acoustic wall buildup in progress with mineral wool insulation between metal studs and gypsum panels going up
    Wall buildup: mineral wool cavities behind a new decoupled gypsum skin.
  • Studio wall panels being fitted with taped seams and temporary wiring during the acoustic rebuild
    Panels going on, seams taped and services pulled through before closing up.
  • Recording studio ceiling rebuild with dark acoustic ceiling panels and conduit drops for lighting and monitors
    Ceiling rebuild: absorptive ceiling plane set with conduit drops left accessible.
  • Black slat diffuser bay installed in an open wall frame with mineral wool insulation visible behind
    A slat diffuser bay set into the framing, insulation packed behind it.
  • Flush-mount studio monitor being installed into a pre-cut opening in the acoustic ceiling of the recording studio
    Monitors flush-mounted into pre-cut openings so nothing sits proud of the surface.
  • Recording studio wall plate for audio tie-lines set flush into charcoal fabric-wrapped acoustic wall panels
    Tie-line plate set flush into the fabric-wrapped wall.
  • Finished black slat diffuser panel mounted above charcoal acoustic wall panels in a San Francisco recording studio
    Finished diffusion above absorption — the pairing that keeps the room lively but controlled.
Slide 1 of 7

Build timeline

  1. 1

    Demolition

    The existing room was taken back to framing — finishes, ceiling and services removed so the new isolation and treatment layers could start from a known condition.

  2. 2

    Isolation & wall buildup

    Cavities were filled with mineral wool, and new gypsum skins were built off the studs to add mass and cut structure-borne transmission between the studio and the rest of the building.

  3. 3

    Ceiling rebuild

    A new absorptive ceiling plane was rebuilt with conduit and lighting drops coordinated in advance so nothing had to be cut back into the finished surface.

  4. 4

    Monitors & tie-lines

    Flush-mount speaker openings and wall plates were cut and framed into the assembly, keeping the listening plane clean and the boundaries predictable.

  5. 5

    Acoustic finish

    Fabric-wrapped absorption was fitted wall by wall and paired with black slat diffuser bays, then trimmed out with concealed lighting for the finished look.

  6. 6

    Echo control in black fabric

    With the room in use, the leftover echo was chased down: we pulled the existing panels and speaker covers, ran black track throughout, set polyboard absorption inside the track, and cut and tucked black fabric into the tracks and around both the polyboard and the existing black sound-absorbing panels — including over the ceiling and wall speakers, which stay acoustically open behind the cloth.

Materials & system summary

The key soundproofing components used on this build, grouped by the job each layer does in the assembly.

Cavity absorption

Decoupling

Sealing

  • Run at every perimeter and penetration — an airtight assembly is what makes the mass layers count.

Absorption finish

  • Custom fabric track panels

    Site-measured, hand-made fabric-wrapped absorption fitted bay by bay for broadband control and a clean finish.

Diffusion

  • Slat diffuser bays

    Vertical slat arrays over absorptive backing scatter reflections so the room stays lively without flutter.

What was the sound concern?

A San Francisco company wanted a real recording studio inside their commercial space. The existing room did two things wrong at once: it let building noise in — HVAC, foot traffic and neighboring activity — and it sounded wrong once you were inside it, with hard parallel surfaces smearing every take.

What was our plan?

The room needed both isolation and interior acoustics, so we planned a full gut and rebuild rather than a surface retrofit. Walls and ceiling would be rebuilt with mineral wool cavities and decoupled gypsum skins for isolation, then finished with custom fabric-wrapped absorption and slat diffusion bays tuned to the room's geometry. Monitors and tie-line plates were designed into the assembly from the start.

What further issues did we need to resolve?

Working inside an occupied commercial building meant staging demolition and noisy work around the tenant's schedule. Once opened up, the ceiling framing and existing services dictated where conduit, lighting and speaker openings could land, so every penetration had to be coordinated before the surfaces closed — cutting back into a sealed assembly would have undone the isolation.

What was our final Sound Solution?

The finished studio is a rebuilt, sealed and decoupled shell wearing its acoustics as architecture: charcoal fabric track absorption across the walls, black slat diffuser bays at the reflection points, flush-mounted monitors, and flush tie-line plates. The room is quiet enough to track in during business hours and even enough to trust what the monitors are telling you.

Want a room like this?

Tell us the size of your space, where it is, and whether you're trying to block sound or clean up the sound inside it. We'll come back with a scoped estimate — usually within one business day.

Prefer to talk it through? Call (415) 864-4440.

Preferred solution